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Recalculating: Are We Lost in the Future of Art? 2017

...Event: Recalculating: Are We Lost in the Future of...
Media Forum 2006 2006 - 2006

... this was his last will. Media-artist by... but it haven’t lost its actuality. The...
William Kentridge: What will come…has already come 2007 - 2007

... bewusst werden lassen: Stereoskope und...
Electronic Dictionary Laser video disc distributed by G.R.A.M. 1993 - 1993

...Event: Electronic Dictionary Laser video disc...
The anagrammatical body and his medial construction 2000 - 2000

... der Fotografie“ (lass="hit">lass="hit">Rosalind Krauss) geprägt, die... der Fotografie“ (lass="hit">lass="hit">Rosalind Krauss) geprägt, die... Das vertraute klassische Schönheitsideal,...
Confessions 2002 - 2002

Confessions est l'aboutissement d'un projet engagé depuis plusieurs années par le metteur en scène d'origine australienne William Kentridge et l'auteur Jane Taylor autour du roman d'Italo Zvevo, La Conscience de Zeno. Un opéra singulier ou se mêlent
Media Art Histories and the Political Iconography of Information Societies 2017 - 2017

... Lasalle College of...
Lost and Found in Sights 2018 - 2018

...Event: Lost and Found in SightsInstitution: Zini Tang...
2012 “404 International Festival of Art and Technology”, lass="hit">lass="hit">Rosario, Argentina 2012 - 2012

... and Technology”, lass="hit">lass="hit">Rosario, Argentina and Technology”, lass="hit">lass="hit">Rosario, Argentina
Seeing Double 2008 - 2008

The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."

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