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The ensemble, this catalogue and the exhibition document the rich production of work by William Kentridge (Johannesburg, 1955), and especially show that each one of his activities are a way of returning to the act of drawing, an act the artist has

Event: AutobiographyInstitution: Robert McLaughlin GalleryComment:

Event: Sommerer, Christa, Lecture at AROB'99 International Symposium on Artificial Life and Robotics, Oita University, JapanInstitution: Oita UniversityComment:

inSITE 2000 beteiligte künstlerInnen: Carlos Amorales, Gustavo Artigas, Judith Barry, Jordan Crandall, Arturo Cuenca, Roman de Salvo, Dias & Riedweg, Mark Dion, Silvia Gruner, Diego Gutiérrez, Jonathan Hernandez, Norma Iglesias & Rita Gonzales,

In der Kunst des 20. Jahrhunderts wurde die Kategorie des Schönen einem radikalen Wandel unterworfen. Das vertraute klassische Schönheitsideal, insbesondere der ideale schöne athletische Körper in der Nachfolge der Antike, wurden vom Diskurs der

This site-specific installation was curated by Carolyn Christov-Bakargiev as part of P.S.1’s Vertical Painting series initiated by Alanna Heiss in 1997. Created for P.S.1’s northwest stairwell, Stair Procession is a white-on-black drawing similar to

Event: Le Diable est-il courbe, version PCInstitution: Art Rock FestivalComment:

Event: L'art numérique est-il contemporain?Institution: Table ronde, ISEA 2000, Forum des imagesComment:

Event: Architecture+Media : explorer l'architectureInstitution: table ronde, Institut Français d'ArchitectureComment:

Event: Etat des arts de la réalité virtuelleInstitution: Table ronde Laval VirtualComment: