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For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.

EMAF 1998 addressed the structures of a mediatised society shaped by the simultaneousness of different systems. In everyday life, too, we are surrounded by perception situations taking place in parallel, explained the American Pat O’Neill, to whom

2004 DEAF Dutch Electronic Media Art Festival (V2) curated by Alex Adriaansen - Rotterdam, Netherlands

2004 "Science + Fiction" (curated by Stefan Iglhaut and Thomas Spring) Deutsches Museum - Munic, Germany

2004 "Science + Fiction" Hygiene Museum Dresden - Dresden, Germany

Event: Crossover&Linking. International New Media Design Exhibition.Institution: Design Biennial Wenzhou Comment:

EMAF 2001 offered an examination of the present, increasingly dominated by information and media technologies that varied between play and reflexion. During the festival both the virtually endless possibilities of new aesthetic styles of composition

Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some

2013 1st Shanghai Design Exhibition, (30th .Nobember 2013 til March 30th 2014) Shanghai Contemporary Art Museum, - Shanghai, China

2007 Nordjyllands Kunstmuseum (June 14 – August 26) “Just Use It !” with works by Yoko Ono, Feliz Gonzales-Torres, Christa Sommerer & Laurent Mignonneau, Rirkrit Tiravanija, Jeppe Hein, Marco Evaristti, Dieter Buchhart curated by Anna-Karina