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Singapore Biennale (September 4 to 12 November 2006) [Hullabaloo, Oblivion, Theorem, Apsides, Clairvoyance, Odissey

ncisively political and profoundly poetic, William Kentridge's protean artistic investigation continues in his beautiful series of tapestries begun in 2001. The tapestries stem from a series of drawings in which he conjured shadowy figures from

William Kentridge' featured Shadow Quartet - four free-standing bronze sculptures by this distinguished South African artist with a significant international profile, commissioned by the AGWA and funded through the Foundation, the Friends and a

Oi Futuro, Rio de Janeiro, Brazil, solo show curated by Christiane Paul ("Eduardo Kac: Lagoglyphs, Biotopes and Transgenic Works"), January 25th to March 30th, 2010). [Hullabaloo, Oblivion, Theorem, Odissey]

Espacio Fundación Telefónica, Buenos Aires (March 27 to June 2, 2006)

Event: Saint Petersburg BiennaleInstitution: Saint Petersburg BiennaleComment:

Event: Eduardo Kac, Museu de Arte Moderna, Rio de Janeiro, Brazil, in 1991Institution: Museu de Arte Moderna, Rio de Janeiro, BrazilComment:

In 2003 the Museum purchased Atlas Procession I, a print by William Kentridge, the first work by this internationally renowned South African artist in the SCMA collection. This fall, Kentridge is the subject of a major exhibition at SCMA, William

Museum of Brazilian Art, Fundação Armando Alvares Penteado, São Paulo, Brazil (October 21-November 11, 1994).

Presented paper "Virtual Borders and Surveillance in the Digital Age :: Visit-US" and screened 3D computer animation, "Visit-US," at ISEA 2008. SESSION TITLE: BORDER RECKONINGS, BORDER CROSSINGS 2 (CHAIR: FLORIAN SCHNEIDER)