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EMAF 1998 addressed the structures of a mediatised society shaped by the simultaneousness of different systems. In everyday life, too, we are surrounded by perception situations taking place in parallel, explained the American Pat O’Neill, to whom

EMAF 2001 offered an examination of the present, increasingly dominated by information and media technologies that varied between play and reflexion. During the festival both the virtually endless possibilities of new aesthetic styles of composition

Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some

2011 Wood Street Galleries"Parallel Universe" September 30th - December 31st, 2011 Lawrence Malstaf, Arnold Dreyblatt, Laurent Mignonneau and Christa Sommerer - Pittsburgh, USA

2004 DEAF Dutch Electronic Media Art Festival (V2) curated by Alex Adriaansen - Rotterdam, Netherlands

The guiding theme of EMAF 2004 triggered numerous associations: transmitters, emitters, carriers or x-mitters – visualised by all kinds of dove species depicted on the festival’s posters, billboards and catalogues this year. In line with this

Under the motto "Document", the 18th EMAF highlighted various media artistic approaches to documentary forms. Playing with media structures, analysing the power of the media, reflecting one’s own media production and examining the conditions of

To mark its 20th anniversary, the congress part of EMAF called "D-Fluxx" presented not only a kind of inventory entitled "Media Art History", but also a definition of the current position of Media Art. The film programme focused on the Cuban

2004 "Science + Fiction" (curated by Stefan Iglhaut and Thomas Spring) Deutsches Museum - Munic, Germany

2004 "Science + Fiction" Hygiene Museum Dresden - Dresden, Germany