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Event: Taipei Art and Technology ExhibitionInstitution: DEOAComment:

2011 Wood Street Galleries"Parallel Universe" September 30th - December 31st, 2011 Lawrence Malstaf, Arnold Dreyblatt, Laurent Mignonneau and Christa Sommerer - Pittsburgh, USA

In a time characterised by the loss of utopia and by major social and political change, creativity was called for – this was where artistic and philosophical concepts became increasingly important for creating new perspectives. Not the answer, but

By 1994, EMAF had already evolved into one of the largest annual events for innovative experimental works in the areas of film, video and interactive projects. Compared to the created reality of television and the colourful media design of digital

For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.

2004 DEAF Dutch Electronic Media Art Festival (V2) curated by Alex Adriaansen - Rotterdam, Netherlands

EMAF 1998 addressed the structures of a mediatised society shaped by the simultaneousness of different systems. In everyday life, too, we are surrounded by perception situations taking place in parallel, explained the American Pat O’Neill, to whom

EMAF 2001 offered an examination of the present, increasingly dominated by information and media technologies that varied between play and reflexion. During the festival both the virtually endless possibilities of new aesthetic styles of composition

Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some

2004 "Science + Fiction" (curated by Stefan Iglhaut and Thomas Spring) Deutsches Museum - Munic, Germany