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To mark the start of the new decade, the European Media Art Festival presented a review of German experimental film and video art production from the 1980s, offering viewers the opportunity to see familiar works again and to perhaps rediscover and

This year, EMAF took a look beneath the "surface" and shed light on the handling of media from a variety of perspectives. No- und low-budget productions from the independent scene met films and videos produced with commercial cinema and

Event: SopromatInstitution: ARTPLAY Design CentreComment:

Event: SynergyInstitution: ARTPLAY Design CentreComment:

MUSIKKENS HUS, Aalborg (Denmark)

Event: Femi-Flow: Creating Female Subjectivity in ArtInstitution: National Taiwan Craft Research and Development InstituteComment:

Tots els canvis s’han desat (All Changes Saved) Aram Bartholl, Clara Boj + Diego Díaz, Martin John Callanan, Olia Lialina, Kyle McDonald, Román Torre + Ángeles Angulo, Carlo Zanni Curated by Pau Waelder Casal Solleric, Palma (Spain) September 21,

In a time characterised by the loss of utopia and by major social and political change, creativity was called for – this was where artistic and philosophical concepts became increasingly important for creating new perspectives. Not the answer, but

By 1994, EMAF had already evolved into one of the largest annual events for innovative experimental works in the areas of film, video and interactive projects. Compared to the created reality of television and the colourful media design of digital

For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.