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William Kentridge: Tide Table
2004
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2004
...Artist and film
make
r William Kentridge has earned international acclaim for...
Confessions
2002
-
2002
Confessions est l'aboutissement d'un projet engagé depuis plusieurs années par le metteur en scène d'origine australienne William Kentridge et l'auteur Jane Taylor autour du roman d'Italo Zvevo, La Conscience de Zeno. Un opéra singulier ou se mêlent
Japan Media Arts Festival 2000
2000
February: 3rd Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 25–March 2, 2000 Venue: Sogetsu Kaikan (Akasaka, Tokyo) Entries: 796 works Visitors: 12,597 people
Japan Media Arts Festival 2001
2001
March: 4th Japan Media Arts Festival Exhibition of Award-winning Works Dates: March 13–18, 2001 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 858 works Visitors: 5,718 people
William Kentridge
1999
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1999
Die bereits vor zwei Jahren konzipierte Ausstellung von William Kentridge hätte im Vorjahr in der Neuen Galerie Graz gezeigt werden sollen, was jedoch aufgrund des verzögerten Umbaus der Neuen Galerie nicht möglich war. William Kentridge war
Journey to the Moon
2007
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2007
Verzaubert von dem ersten Science-Fiction-Film der Geschichte "Le Voyage dans la Lune" (George Méliès, 1902), schafft der zeitgenössische Künstler William Kentridge mit seinem gleichnamigen Werk eine Hommage an den französischen Experimentalfilmer
Japan Media Arts Festival 2002
2002
March: 5th Japan Media Arts Festival Exhibition of Award-winning Works Dates: March 1–10, 2002 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 1,053 works Visitors: 12,958 people *The Special Prize was newly established.
Japan Media Arts Festival 2005
2005
... 1,498 works (including 573 from
over
seas) Visitors: 24,658 people
Art and New Media in Lebanon
2005
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2005
Ricardo Mbarkho spoke about the emerging artists’ approaches and positions in today’s Lebanese multi-cultural society, where religion, politics, war and post-war environments are always affecting the identity and belonging crisis. The aim of the
El proceso como paradigma
2010
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2010
Before the background of unforeseen global processes, credit crash and climate change, the exhibition el proceso como paradigma researches the nature of processes and self organising, processual systems on a cultural level and in the arts. el
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