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Inner Telescope
2018
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2018
Permanently Closed The Green Lantern Press is a 501c3 arts organization that produces contemporary art exhibitions, art and literary publications, and free public programs that together facilitate a public, multidisciplinary cultural discourse. The
Frankfurt Bookfair
2006
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2006
Event: Frankfurt BookfairInstitution: Frankfurt BookfairComment:
The Path To The Present
2024
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2024
Group show related to the Generative Art Summit, Herbert W. Franke Foundation, Berlin July 2024
Generative Art Summit Berlin
2024
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2024
Presenting as Pioneer of micro computer art: “Small but Beautiful: The PC as a Tool for Artists”
Lange Nacht der Museen
2016
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2016
Event: Lange Nacht der MuseenInstitution: Freies Theater InnsbruckComment:
2014 “Progressive Proof: SF State exhibit features women printmakers from PacificRim”, San Francisco State University Art Museum, San Francisco, USA
2014
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2014
2014 “Progressive Proof: SF State exhibit features women printmakers from PacificRim”, San Francisco State University Art Museum, San Francisco, USA
Sensible Concepts: Mediation as a Way of Being
2015
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2015
We are always in partnership with someone or something. The issue is what we are explicit about; who, what we collaborate with. For more than 25 years Patrick Lichty has created work about mediation, networked society, and how that process of
Micro Arts Group - Computer Arts Archive/EVA, BCS Moorgate London
2022
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2022
Exhibition of 20 Micro Arts Group prints, including generative art from Geoff Davis and Martin Rootes, and a story generator by Geoff Davis. The print magazine was also shown, which had the first ever view of Quantel art, by French artist Michèle
Untitled & Untied
2020
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2020
Installation that utilizes machine learning to reflect on systematic discrimination by focusing on the indefinite detention of Mexicans with Japanese heritage concentrated in Morelos during WWII. This algorithmic discrimination system tears apart
Zonas de contactoArt History in a Global Network
2022
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2022
Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
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