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Survey of Prints
2007
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2008
In 2003 the Museum purchased Atlas Procession I, a print by William Kentridge, the first work by this internationally renowned South African artist in the SCMA collection. This fall, Kentridge is the subject of a major exhibition at SCMA, William
VideoFest '92
1992
Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer
VideoFest '95
1995
1995 VideoFest saw beyond the end of ist own nose and explored in detail what the new maigc word Multimedia stands for in the realm of CD-ROM and Internet artworks. There were performances, discussions, an exhibition and workshops.
DEAF 12: The Power of Things
2012
Event: DEAF 12: The Power of ThingsInstitution: V2_Lab for the Unstable MediaComment:
WRO 99
1999
Theme: The Power of Tape
WRO 2000
2000
Theme: @kultura
The Return of Ulysses
2004
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2004
Lincoln Center Great Performers Present Il Ritorno d'Ulisse March 2-6, 2004 Handspring Puppet Company Furio Zanasi - Ulisse Kristina Hammarström - Penelope Jan Kobow - Telemaco/Pisandro Marek Rzepka - Nettuno/Antinoo Atala Schoeck -
William Kentridge: Tide Table
2004
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2004
Artist and filmmaker William Kentridge has earned international acclaim for creating distinctive animated films that address the political and cultural climate of his native South Africa. In Tide Table (recently acquired by The Rose), the artist
Confessions
2002
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2002
Confessions est l'aboutissement d'un projet engagé depuis plusieurs années par le metteur en scène d'origine australienne William Kentridge et l'auteur Jane Taylor autour du roman d'Italo Zvevo, La Conscience de Zeno. Un opéra singulier ou se mêlent
"WEIGHING…and WANTING"
1997
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1997
William Kentridge: WEIGHING…and WANTING is an installation of charcoal, pastel and gouache drawings and a film transferred to laser disk which is based on the drawings. Kentridge's homeland, South Africa, figures largely in his artwork, which
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