Archive Search

Event: WRO 07Institution: WRO Center for Media ArtComment:

WRO 09: Expanded City

WRO 11: Alternative Now

The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."

Four divisions were established: Digital Art [Interactive], Digital Art [Noninteractive], Animation and Manga.

2nd Japan Media Arts Festival Exhibition of Award-winning Works

February: 3rd Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 25–March 2, 2000 Venue: Sogetsu Kaikan (Akasaka, Tokyo) Entries: 796 works Visitors: 12,597 people

March: 4th Japan Media Arts Festival Exhibition of Award-winning Works Dates: March 13–18, 2001 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 858 works Visitors: 5,718 people

ncisively political and profoundly poetic, William Kentridge's protean artistic investigation continues in his beautiful series of tapestries begun in 2001. The tapestries stem from a series of drawings in which he conjured shadowy figures from

William Kentridge, a native of Johannesburg (b. 1955), is an internationally acclaimed artist whose multimedia works present an arresting and forceful commentary on the contemporary cultural and sociopolitical issues in South Africa. Inspired by