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Black Airground
1968
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1968
Event: Black AirgroundInstitution: MoMA, OxfordComment:
Wired Worlds
1999
Event: Wired WorldsInstitution: National Museum of Photography, Film & Television at BradfordComment:
ATR Open house 99
1999
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1999
Event: ATR Open house 99Institution: ATR Media Integration & Communications LaboratoriesComment:
4th International Conference of VSMM 98: FutureFusion
1998
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1998
Event: 4th International Conference of VSMM 98: FutureFusionInstitution: VSMM - International Society on Virtual Systems and MultiMediaComment:
ArsLab 3
1998
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1999
Event: ArsLab 3Institution: Spazio Mostre LingottoComment:
ArsLab - The Senses of the Virtual
1995
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1995
Event: ArsLab - The Senses of the VirtualInstitution: Museo de arte contemporáneo de MonterreyComment:
Arte Virtual - 12 Propuestas de Arte Reactivo
1994
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1994
Event: Arte Virtual - 12 Propuestas de Arte ReactivoInstitution: Metro OperaComment:
p0es1s. Digital Poetics
2004
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2004
organized by the literaturWERKstatt berlin in cooperation with the Brückner-Kühner Foundation (Kassel) in the special exhibition hall at the Kulturforum Potsdamer Platz, Berlin. At P0es1s, Poetrica is in the Kulturforum and in public space. In the
BEAP 2004: SAMEDIFFERENCE
2004
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2004
The Biennale of Electronic Arts, Perth (BEAP) is a new media arts festival held every 2 years for 3 months, spanning Perth Western Australia and is widely recognised as the premiere electronic arts event in the Asia Pacific region. BEAP examines the
Janet Cardiff: Forty-Part Motet
2006
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2006
The elegant 19th-century interior of the Rideau Chapel is once again transformed through Janet Cardiff’s extraordinary audio installation Forty-Part Motet, a contemporary reworking of Spem in Alium by the 16th-century composer Thomas Tallis.
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