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Future Cinema. The Cinematic Imaginary after Film
2003
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2004
Event: Future Cinema. The Cinematic Imaginary after FilmInstitution: ICC (Intercommunication Center)Comment:
A Fiction of Authenticity, Contemporary Africa Abroad
2003
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2004
Event: A Fiction of Authenticity, Contemporary Africa AbroadInstitution: Contemporary Art Museum St. LouisComment:
Images du Futur 1996
1996
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1996
organized by Hervé Fischer and Ginette Major
Contact Zones/ The Art of CD Rom
1999
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1999
The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to
Rafael Lozano-Hemmer: Vectorial elevation relational architecture 4
1999
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2000
Event: Rafael Lozano-Hemmer: Vectorial elevation relational architecture 4Institution: The Montreal Museum of Fine ArtsComment:
Artist Talk Roberto Winter
2018
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2018
Event: Artist Talk Roberto WinterInstitution: Academy of Fine Arts ViennaComment:
International Biennial film+arc.graz
1997
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1997
Event: International Biennial film+arc.grazInstitution: The Montreal Museum of Fine ArtsComment:
VIPER Basel
2004
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2004
VIPER Basel is one of the major European film, video and new media festivals. It offers a highly-regarded platform for presenting innovative works and projects, attracting Swiss and international filmmakers and producers, artists, curators, critics
Mersea Circle: Masaki Fujihata
2003
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2004
Event: Mersea Circle: Masaki FujihataInstitution: firstsite galleryComment:
HyperKult 14
2005
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2005
»HyperKult - Computer as Medium« takes place as an annual (non-profit and no-budget) symposium since 1990. Hyper(media)Kult(ur) was an at this time an upcoming field of research across the borderline of technical and cultural disciplines. HyperKult
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