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  • ... by V2_ in Rotterdam (NL) which showcases crossovers between art, technology and society. DEAF features: - an exhibition of interactive installations and Internet projects - live performances (sound, music, installations, film, images) - seminars and...
  • Substance -
    ... Electronic Media Arts Centre in partnership with Subtle Technologies and Year Zero One present Substance, an exhibition of interactive installations. The exhibit focuses on two works that stimulate participation and response in the fluid, dreamy interface...
  • Haunted Media -
    ... have done more recently – creating a space for disembodied communication. TV & video similarly were seen to create an ‘uncanny interactive zone’ between screen and reality, in which the supernatural could reside. At our current point in time, when analogue media...
  • Simon Biggs -
    ... computer system in the following year. In 1983, Biggs ceased painting altogether in order to work solely with computer-based interactive installations. He left Australia for Europe in 1986, where the theme and appearance of his work shifted away from earlier...
  • Interactive Garden -
    ...Event: Interactive GardenInstitution: Otso GalleryComment:
  • ... Commission Information Society Technologies Programme (IST). Artists will show aesthetic concepts of digital culture and new interactive media formats. Some of the topics that symbolize the influence of information technology on patterns of life and work in...
  • Interactive Legends -
    ...Exhibition of interactive works by Grahame Weinbren, Camille Utterback, and Scott Snibbe curated by Christina Yang, media curator of the Kitchen.
  • Siggraph 2004 -
    ...The 31st international conference on computer graphics and interactive techniques.
  • Siggraph 2005 -
    ...The 32nd International Conference on Computer Graphics and Interactive Techniques. Conference: 31.07.-04.08. 2005; Exhibition: 02.08.-04.08.2005; Los Angeles Convention Center.
  • The leading theme of the WRO 01 Biennale, SCREENS expresses the character of the media art's present state. On one hand it seems appealed by fast development of cognitive horisons and expression of new communication spaces, and on the other