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transmediale.09: deep north
2009
... the essential question isn't that of how to avoid these
pro
cesses, but to examine the need for a fundamental shift in cultural...
transmediale 2k+12: in/compatible
2012
... things are not working together. Given the current worldwide
pro
clamations of crisis, be they political, financial, technological...
VideoFilmFest '88
1988
... Film Festival. 1988, the MedienOperative showed its own
pro
gramme under the name VideoFilmFest – usually it has only been the...
VideoFest '91
1991
...1991 – the character of the
pro
gramme has become more angular than before; there are more works that irritate in form and content, more...
VideoFest '93
1993
...`93 had more to offer than ever before. On the one hand we offered a core
pro
gramme of the usual high quality. On the other hand we can now...
VideoFest '94
1994
... video and television had become ever more important. The
pro
gramme showed uncommon television
pro
ductions and takes that,...
VideoFest '96
1996
... attention, and even the screening of films made with digital
pro
duction elements was now possible.
Refresh! 2005
2005
... Art, Leonardo/ISAST and UNESCO DigiArts are collaborating to
pro
duce the first international art history conference covering art...
Re:place 2007
2007
... to the sites and the migration of artistic and knowledge
pro
duction. This theme is highlighted during the panel discussions and...
Re:live 2009
2009
... and referee papers. Conference chairs: Dr Paul Thomas,
Pro
fessor Sean Cubitt
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