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Event: ‘Digital Debris’ paper conference for Archaeological Media and Technological DebrisInstitution: Goldsmith, University of London, Dept. Computing Comment:

The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."

Event: ‘Digital Debris of Internet Art (an Allegorical Resistance to The Epistemology of Search)’ Humanities Research Forum, R.C.A.Institution: Royal College of ArtComment:

Event: Dutch Electronic Art FestivalInstitution: DEAF Dutch Electronic Art FestivaComment:

Event: Web of lifeInstitution: World Summit for Sustainable DevelopmentComment:

Event: The Entropy of Digital DebrisInstitution: University of GreenwichComment:

Event: Seven Deadly DesiresInstitution: The National Picasso MuseumComment:

Windows, Musee National Marc Chagall, Nice, France, December 1, 2007– February 28, 2008

ncisively political and profoundly poetic, William Kentridge's protean artistic investigation continues in his beautiful series of tapestries begun in 2001. The tapestries stem from a series of drawings in which he conjured shadowy figures from

... Contemporain de Montreal. (Source: Rose Art Museum)