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To mark the start of the new decade, the European Media Art Festival presented a review of German experimental film and video art production from the 1980s, offering viewers the opportunity to see familiar works again and to perhaps rediscover and

This year, EMAF took a look beneath the "surface" and shed light on the handling of media from a variety of perspectives. No- und low-budget productions from the independent scene met films and videos produced with commercial cinema and

In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin

Event: Die Magie der Kunst – Protagonisten der slowenischen Gegenwartskunst 1968 – 2013Institution: Obergeschoss des KünstlerhausesComment:

Event: La magia dell’arte; I protagonisti dell’arte Slovena contemporanea 1968 – 2013Institution: Villa ManinComment:

Event: La magia dell’arte; I protagonisti dell’arte Slovena contemporanea 1968 – 2013Institution: Villa ManinComment:

Event: Drawing in Slovenia II. 1940-2009Institution: Museum of Contemporary ArtComment:

Event: Slovene Art 1995-2005: Territories, Identities, NetsInstitution: Museum of Modern Art LjubljanaComment:

In a time characterised by the loss of utopia and by major social and political change, creativity was called for – this was where artistic and philosophical concepts became increasingly important for creating new perspectives. Not the answer, but

By 1994, EMAF had already evolved into one of the largest annual events for innovative experimental works in the areas of film, video and interactive projects. Compared to the created reality of television and the colourful media design of digital