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  • “Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
  • We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,
  • Performance by JODI. Short presentations and panel discussion with Annet Dekker, Gabriella Giannachi, and Vivian van Saaze - See more at: http://www.stedelijk.nl/en/calendar/forum/79432#sthash.s37LWTwy.dpuf
  • net_condition -
    Event: net_conditionInstitution: ZKMComment:
  • Event: The Discreet Charm of TechnologyInstitution: ZKMComment:
  • Digital Art Works -
    Event: Digital Art WorksInstitution: ZKMComment:
  • Event: ZKM_Gameplay (start new game!)Institution: ZKMComment:
  • Event: ZKM_Gameplay (restart the game!)Institution: ZKMComment:
  • GLOBALE: Infosphere -
    Curator: Peter Weibel
  • “Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser