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Confessions
2002
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2002
Confessions est l'aboutissement d'un projet engagé depuis plusieurs années par le metteur en scène d'origine australienne William Kentridge et l'auteur Jane Taylor autour du roman d'Italo Zvevo, La Conscience de Zeno. Un opéra singulier ou se mêlent
William Kentridge
1999
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1999
The ensemble, this catalogue and the exhibition document the rich production of work by William Kentridge (Johannesburg, 1955), and especially show that each one of his activities are a way of returning to the act of drawing, an act the artist has
Art Net Lab
2005
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2005
Art Net Lab - a exhibition project of the Academy of Fine Arts and Design of the University of Ljubljana.
International Society For Electronic Art (ISEA) 2016 Hong Kong,
2016
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2016
Ellen Pearlman, Andrew Demirjian, Heidi Boisvert, Cassini Nazir, “Creative Work and Well Being”,
William Kentridge
1999
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1999
Die bereits vor zwei Jahren konzipierte Ausstellung von William Kentridge hätte im Vorjahr in der Neuen Galerie Graz gezeigt werden sollen, was jedoch aufgrund des verzögerten Umbaus der Neuen Galerie nicht möglich war. William Kentridge war
Journey to the Moon
2007
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2007
Verzaubert von dem ersten Science-Fiction-Film der Geschichte "Le Voyage dans la Lune" (George Méliès, 1902), schafft der zeitgenössische Künstler William Kentridge mit seinem gleichnamigen Werk eine Hommage an den französischen Experimentalfilmer
Ellen Pearlman, Myths of Creation & Destruction, ISEA New Mexico 2012
2012
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2012
Event: Ellen Pearlman, Myths of Creation & Destruction, ISEA New Mexico 2012Institution: ISEA New Mexico Comment:
On Architecture: New Materials and Design in Architecture and Art
2018
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2018
I will be taking part in the panel on the VR at OA.
TRACE: Wayfinding in Contemporary New Media Art
2018
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2018
With Anna Novakov and Yvonne Senouf I curated TRACE at MoCA Salon in Belgrade, where I also exhibited Study 7/0 (http://dejangrba.dyndns.org/art-projects/en/2018-study-7-0/index.html).
Art and New Media in Lebanon
2005
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2005
Ricardo Mbarkho spoke about the emerging artists’ approaches and positions in today’s Lebanese multi-cultural society, where religion, politics, war and post-war environments are always affecting the identity and belonging crisis. The aim of the
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