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Création artistique et intelligence artificielle
2002
Event: Création artistique et intelligence artificielleInstitution: Ecole Nationale Supérieure des Telecom (ENST)Comment:
Le réseau et la création
2001
Event: Le réseau et la créationInstitution: séminaire TransfertComment:
European Media Art Festival 1997
1997
For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.
Euoprean Media Art Festival 2002: New Images - New Storie. Art in Modern Media.
2002
Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some
European Media Art Festival 2004: Transmitter
2004
The guiding theme of EMAF 2004 triggered numerous associations: transmitters, emitters, carriers or x-mitters – visualised by all kinds of dove species depicted on the festival’s posters, billboards and catalogues this year. In line with this
Créations Interactives
2001
Event: Créations InteractivesInstitution: Carrefour de l'image de l'Océan IndienComment:
Rencontres européennes de la jeune création numérique
2000
Event: Rencontres européennes de la jeune création numériqueInstitution: portrait d'auteurComment:
Interactive and VR creations
2000
Event: Interactive and VR creationsInstitution: World@rt, VRCenter NordComment:
European Media Art Festival 2009: The Future Lasts Longer Than The Past
2009
In 2009, the EMAF portrayed over 2000 years of media history with its large exhibition entitled “Image Battles” in cooperation with the Museum of Industrial Culture Osnabrück, Kunsthalle Dominikanerkirche and Erich Maria Remarque Peace Centre. In a
European Media Art Festival 2008
2008
We had reason to celebrate: the European Media Art Festival was held this year for the 25th time, and has therefore been presenting the current trends of the international media scene in Osnabrück each spring for a quarter of a century. Of course
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