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In 1996, the festival was still held in September, unlike later, when it was traditionally held in spring. This year, the film programme was put together in cooperation with the Swiss Film, Video and Multimedia Festival VIPER. It presented

For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.

I curated Vladimir Todorović's The Running Nude for the VR Corner at Computer Graphics and Arts Conference, Yugoslav Film Archive, Belgrade, Serbia.

Event: Analogies (When I Draw a Song For a Film)Institution: Faculty of Fine Arts GalleryComment:

Event: Alibi (Black or White)Institution: Faculty of Fine Arts GalleryComment:

Panel with Johanna Pirker (TU Graz), Ninoslav Adžibaba (VRlabs Belgrade) and Vladimir Todorović (UWA Perth) Computer Graphics and Arts Conference, Yugoslav Film Archive, Belgrade.

EMAF 2001 offered an examination of the present, increasingly dominated by information and media technologies that varied between play and reflexion. During the festival both the virtually endless possibilities of new aesthetic styles of composition

Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some

The guiding theme of EMAF 2004 triggered numerous associations: transmitters, emitters, carriers or x-mitters – visualised by all kinds of dove species depicted on the festival’s posters, billboards and catalogues this year. In line with this

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