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Event: Mignonneau, Laurent, Lecture about Eau de Jardin - Interactive Artwork at Art Rock 05 Pavillion Numerique, Saint-Brieuc (France) 02.06.2005Institution: Art RockComment:

ECCENTRIC Art & Research is pleased to present its first exhibition in Milan, opening on October 12, 2016. The exhibition features the work of all its represented artists up-to-date: Ivana Adaime Makac, Jamie Allen, Tomislav Brajnović, Sarah Ciracì,

In the frame of ISEA 2016 in Hong Kong the DIGITAL SYNESTHESIA exhibition presents 14 artworks by DIGITAL SYNESTHESIA artists Anke Eckardt, Karl Heinz Jeron, kondition pluriel (Martin Kusch / Marie-Claude Poulin), Alan Kwan, Karen Lancel / Hermen

We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,

Event: Transgenesis - Round Table with Christa Sommerer, Louis Bec, Jens Hauser, Louis-Marie Houdebine, Roger Malina, and Franco Torriani at the Artistic Mobility Days in Prague organized by CIANT, The Academy of Sciences of the Czech Republic,

Event: Mignonneau, Laurent, Collogue SynthetImages - Images numeriques et virtuelles au services des arts et des sciences, Lecture at Palais de la Découverte, Paris (France), 21.03.2006Institution: Palais de la DécouverteComment:

Potential Spaces Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden? Do, 16.02.2017 – Sa, 18.02.2017, Staatliche Hochschule für Gestaltung Karlsruhe (HfG); Großes Studio, ZKM_Kubus Beschreibung Die Konferenz »Potential

Event: Ré-flexions / Curator : Felizitas DieringInstitution: FRAC Alsace Comment:

Event: Mignonneau, Laurent, Sommerer, Christa, "L'Art et la Science e l'Interaction et de l'Interface", Lecture at Laboratoire des Arts et Medias, Universite Paris 1, Sorbonne, Paris (France), 07.04.2009Institution: Laboratoire des Arts et Medias

“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new