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In 2003 the Museum purchased Atlas Procession I, a print by William Kentridge, the first work by this internationally renowned South African artist in the SCMA collection. This fall, Kentridge is the subject of a major exhibition at SCMA, William

Event: Seminar on Artistic Concept Development: How to Create an urban media art project for Bangkok?Institution: Pre-Launch: Urban Media Art Academy - What Urban Media Art Can Do - Why When Where and How?Comment:

Event: Urban Media Art and Media Art PracticeInstitution: Art and Design Department, Tsinghua UniversityComment:

Event: Quarxs à la Brain Factory: Dialogue between Maurice Benayoun and François SchuitenInstitution: Machines à dessiner à l'heure du numérique, Musée des arts et métiersComment:

Event: Machine Generation, Neural Selection, Wetware and Reversed DesigningInstitution: NCC2016: CT Forum + DICON = Next Content ConferenceComment:

Event: Urban Media War. the war for Attention, What Urban Digital Art Can Do?Institution: Human Vibration, Hong Kong Arts Development CouncilComment:

Event: Déchiffrage et chiffrage de la création codée: 30 ans de pratique à risque dans le champ du numériqueInstitution: Videoconferences, ArtComTec, TransnumeriquesComment:

Confessions est l'aboutissement d'un projet engagé depuis plusieurs années par le metteur en scène d'origine australienne William Kentridge et l'auteur Jane Taylor autour du roman d'Italo Zvevo, La Conscience de Zeno. Un opéra singulier ou se mêlent

This site-specific installation was curated by Carolyn Christov-Bakargiev as part of P.S.1’s Vertical Painting series initiated by Alanna Heiss in 1997. Created for P.S.1’s northwest stairwell, Stair Procession is a white-on-black drawing similar to

The ensemble, this catalogue and the exhibition document the rich production of work by William Kentridge (Johannesburg, 1955), and especially show that each one of his activities are a way of returning to the act of drawing, an act the artist has