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Substance 2017 - 2017

... created. What Baudrillard wrote in... that barely any time remained to consider... is defined as the coinciding of... ‘Bodypaintings’ (2014–2016) and ‘Fluids’ (2013) as well...
What We See & What We Know.Thinking About History While Walking, and Thus the Drawings Began to Move… 2009 - 2009

... We See & What We Know: Thinking About... accumulation of time, thought, and action... to announce on the behalf of the National... The National Museum of Modern Art, Kyoto (MoMAK), is...
European Media Art Festival 2010: Mash Up 2010

... and texts on the internet is growing... The often ironic game in which different...
SECURITY IN OUR SOCIETY: WHAT REMAINS OF OUR PERSONAL FREEDOMS? 2015 - 2015

... a male - react to the movements of passersby... the public to a game of cause and effect....
A Vision of Virtuality: Rigid Waves / Liquid Views / Responsive Workbench 1993

... GMD-German National Research center...
COSIGN 2001 - 1st International Conference on Computational Semiotics in Games and New Media 2001 - 2001

... CWI (The National Research... CWI (The National Research Institut... Semiotics in Games and New...
"Monogram" flys to Saturn aboard Cassini space probe 1997 - 2017

... The National Aeronautics... The National Aeronautics and...
Streams of Encounter– electronic media based artworks 2003 - 2003

... hope to analyze what differentiates the... in space and time. Themes presented by... electronic media. These works are acts of...
Tools for the Art of Tomorrow : MARS Bag, MARS floor, Energy Meter 2000

...loss Birlinghoven, Tools for the Art of Tomorrow : MARS...
Brazil High-Tech (1986) 1986

the group exhibition Brazil High-Tech (1986), a... (1986), a national videotext art...

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