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  • Media Forum 2006 -
    During preparation to this year MEDIA FORUM Alexey Isaev (1960-2006), our ideological leader and theoretician, died. This tragedy brought us to two immanent conclusions: • dedicate MEDIA FORUM 2006 to Alexey Isaev memory; • select as a theme for the
  • The selection of Internet-based art for the 2002 Biennial strives to give an impression of the variety of forms that net art can take and of the multiple themes that have emerged over the years. These forms range from alternative browsers and
  • Event: Voices of Hope: The Story of Radio Free Europe and Radio LibertyInstitution: Hoover Institution, Stanford UniversityComment:
  • Event: Pockets Full of MemoriesInstitution: Sprengel Museum HannoverComment:
  • Presentation of the artists work as part of this international conference on computer and communications technology mediated creative textual and poetic work. (source: hosted.simonbiggs.easynet.co.uk/right/events.htm)
  • Media Forum 2001 -
    Media Forum is now in its second year which is certainly no anniversary. However, this brings its organizers both a great happiness and some significant difficulties. We are happy because the pilot issue of the Media Forum 2000 programme claims now
  • NetSpace -
    Exhibition of the artist's work "Recombinant Icon" as part of this international group exhibition on artists' creative work with software. Curated by Elena Giulia Rossi. (source: hosted.simonbiggs.easynet.co.uk/right/events.htm)
  • Expected date for completion of large scale permanent artwork commissioned for the new Norman Foster designed world headquarters of Allen and Overy, Spitalfields, City of London. (source: hosted.simonbiggs.easynet.co.uk/right/events.htm)
  • Presentation of the artist's work at a public show and tell lecture. (source: hosted.simonbiggs.easynet.co.uk/right/events.htm)
  • The Magic Flute -
    On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring