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Absorbing Modernity Panel, Architecture and Design Scotland for Venice Biennale: Re-Casting Modernism -- celebrations of Architecture Scotland Pavilion (March 17, 2015)
2015
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2015
Why EK Modernism matters? was a conference paper and discussion that examined the legacies of the net artwork (EKnewTown.com). This pioneering net artwork enabled residents and visitors anywhere in the world to explore East Kilbride first hand by
cast01 // Living in Mixed Realities
2001
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2001
Living in Mixed Realities What does it mean to live, play and work in a world shaped and perceived through digital media, networks and architectures of real and virtual space? How can the development of complex communication spaces, life
Media Facades
2008
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2010
MYTHS AND POTENTIALS OF MEDIA ARCHITECTURE AND URBAN SCREENS Initiated by Mirjam Struppek & Susa Pop, Public Art Lab in cooperation with Media Architecture Group Vienna and the German Center for Architecture (DAZ) Urban Screenings: 16th Oct -
SonarSound Sao Paulo
2004
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2004
SonarSound Sao Paulo will be held in three of the city’s emblematic venues -Teatro Abril, Instituto Tomie Ohtake and Credicard Hall- and over three days and nights it will bring together Arto Lindsay, Jeff Mills, Laurent Garnier, Liars, Patife,
William Kentridge
2001
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2001
Though William Kentridge is one of the most compelling interdisciplinary artists of our time, five years ago he was largely unknown outside of Johannesburg, South Africa, where he was born in 1955 and continues to live today. There were many reasons
Japan Media Arts Festival 1998
1998
Four divisions were established: Digital Art [Interactive], Digital Art [Noninteractive], Animation and Manga.
Japan Media Arts Festival 1999
1999
2nd Japan Media Arts Festival Exhibition of Award-winning Works
Japan Media Arts Festival 2000
2000
February: 3rd Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 25–March 2, 2000 Venue: Sogetsu Kaikan (Akasaka, Tokyo) Entries: 796 works Visitors: 12,597 people
Contact Zones/ The Art of CD Rom
1999
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1999
The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to
William Kentridge
2004
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2005
William Kentridge, a native of Johannesburg (b. 1955), is an internationally acclaimed artist whose multimedia works present an arresting and forceful commentary on the contemporary cultural and sociopolitical issues in South Africa. Inspired by
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