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  • Art seeks diverse ways of understanding reality. Kiasma’s international exhibition ARS 06 focuses on meaning of art as part of the reality of our time. The subtitle of the exhibition is Sense of the Real. The human experiences like joy and sorrow
  • Transmediale '99 -
    With a new byline ‘international media arts festival berlin‘, transmediale invited artists, scientists and commercial producers in 1999 to present digital worlds and beings in films, video and games. It acknowledged the entertainment industry and
  • SMART ART The European Media Art Festival is one of the most important current media art forums world-wide. For the 19th time, the festival will present a comprehensive overview spanning the whole range of this young genre of art. Under the motto
  • DECONversation -
    Event: DECONversation Institution: DECONISM GalleryComment:
  • Event: Des Grandes Questions à la DéchargeInstitution: Galerie des Beaux ArtsComment:
  • inSite 2000 -
    inSITE 2000 beteiligte künstlerInnen: Carlos Amorales, Gustavo Artigas, Judith Barry, Jordan Crandall, Arturo Cuenca, Roman de Salvo, Dias & Riedweg, Mark Dion, Silvia Gruner, Diego Gutiérrez, Jonathan Hernandez, Norma Iglesias & Rita Gonzales,
  • Sandquake -
    Air structure event with Theo Botschuijver Shown at TV Gallery Gerry Schum, Camargue, France, 1969. Long lengths of polythene tubing were buried in the sand at a beach in the Camargue in France. This tubing was then slowly inflated so that it
  • WRO2000@kultura -
    WRO2000@kultura is a large media art exhibition to be held from November 20th to - December 10th in Wroclaw/Poland. It's key component, the Mediation/Medialization Congress, will take place from November 29th to December 3rd, 2000. The special
  • TANGENT_FEAR presents the artistic research project Inviting Horror by Karen Lancel and Hermen Maat in which the experience of fear in public space is investigated. In a world in which daily activity is monitored through electronic technologies
  • Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer