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Roboterträume
2010
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2011
2010 Kunsthaus Graz "Roboterträume" October 10th 2010 - January 9th 2011 curator: Peter Pakesch - Graz, Austria
Roboterträume – in collaboration with Kunsthaus Graz
2010
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2010
Event: Roboterträume – in collaboration with Kunsthaus GrazInstitution: Tinguely MuseumComment:
DEAF04 Dutch Electronic Media Art Festival (V2_Lab for the Unstable Media)
2004
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2004
2004 DEAF Dutch Electronic Media Art Festival (V2) curated by Alex Adriaansen - Rotterdam, Netherlands
FACTORS 1.0 - Festival de Arte-Ciência-Tecnologia do Rio Grande do Sul
2014
O festival compõe o Simpósio de Arte Contemporânea que acontece desde 2006 na UFSM, realizado pelo Labart e promovido pelo PPGART/UFSM, sob coordenação da Profª. Drª. Nara Cristina Santos. Na esteira do 9º Simpósio de Arte Contemporânea, o FACTORS
Biennial of the Moving Image´90 / Bienal de la Imagen en Movimiento´90
1990
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1990
Curator: José Ramón Pérez Ornia; Artists: Marina Abramovic, Chantal Akerman, Max Almy, Julián Álvarez, Richard Angers, Ida Applebroog & Beth B, Eugènia Balcells, Irit Batsry, Robert Breer, Brothers Qualy (Stephen y Timothy Quay), Carl Browm, Robert
Art Rock 2019
2019
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2019
Event: Art Rock 2019Institution: Art RockComment:
Artists and Robots
2018
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2018
2018 Galerie du Grand Palais Exhibition: Artists and Robots (April 5th to July 9th ) Featuring "Portrait on the Fly" - Paris, France
SIAF 2020 Sapporo International Art Festival: Of Roots and Clouds (online)
2020
SIAF2020 Team of Directors, Taro Amano, Agnieszka Kubicka-Dziedszycka, and Kanoko Tamura
BEEP Collection (Colección BEEP de Arte Electrónico)
2019
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2019
2019 Es Baluard Museu d'Art Modern i Contemporani de Palma and Colección BEEP de Arte Electrónico 31.01.2019- 06.10.2019 Curated by Roberta Bosco and Stefano - Palma di Mallorca
Extimidad. Arte, Intimidad y Tecnología. / Extimacy. Art, intimacy and technology
2011
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2011
Inside the immense flow of data exchange, the new technologies have facilitated an interdependency between the spheres of what is private and what is public, between interior and exterior, leading us to reveal, in an increasingly natural manner, our
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