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  • ... that are somewhat out-of date, yet still indispensable and irreplaceable. A lecture by Jaron Lanier, on the subject of technology and media art during the WRO2000@kultura held in December has become a motto of this year's biennial. In computer,...
  • Tessarae of Venus -
    ... At the same time, McPhee’s works constitute compelling studies of the mechanics of abstraction in the age of computer technology. (http://jessicasilvermangallery.com/exhibitions/tesserae-of-venus/)
  • Under the theme Seeking Silicon Valley, the 2012 ZERO1 Biennial will feature work by a diverse group of local, national, and international contemporary artists whose work will transform Silicon Valley into an epicenter for innovative art production
  • ... the metaphors of revolution. It is appropriate that we do so in the north west of England as many new metaphors relating to technology [speed, progress] have been appropriated and reworked from the experience of the First Industrial Revolution which had...
  • ... of women's health in the sphere of visual art, addressing such topics as breast cancer, AIDS, reproductive rights and technology, beauty, and aging. (source: kemperartmuseum.wustl.edu)
  • ...Public Forum chaired by Darren Tofts (Professor of Media and Communications, Swinburne University of Technology and a leading academic in the field of media art). Australian and international artists explore the opportunities for interactive art to take us into...
  • ... reflexive architecture, interactive film, art installation, responsive environments, computer games, performance, wearable technology, communication and experience design. It includes: Sara Diamond (Banff Centre for the Arts, Canada), David Ross (former...
  • ... Among the prominent themes in net art are data visualization and mapping, database aesthetics, gaming paradigms, agent technology, community as well as nomadic devices—all of which surface in the art works included in the 2002 Biennial selection. The...
  • ISEA2015-DISRUPTIONS -
    ... We hope to broaden the spheres in which disruptive aesthetics can be explored, crossing into the worlds of science, technology, design, visual art, contemporary and media art, innovation, performance, and sound.
  • ... took up the challenge of rethinking the arts, in the face of the fact that our existence is essentially determined by technology. To connect the methods of science with a new understanding of culture is the key concern of his special anthropology....