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  • Event: Emerging Media, Memory and Recollection, Jim Campbell and Paul DeMarinisInstitution: Foster GalleryComment:
  • Paul DeMarinis -
    Event: Paul DeMarinisInstitution: Richard L. Nelson Art GalleryComment:
  • Presentation of the artists work as part of this international conference on computer and communications technology mediated creative textual and poetic work. (source: hosted.simonbiggs.easynet.co.uk/right/events.htm)
  • Haunted Media -
    Artists: Susan Hiller, Thomson & Craighead, Susan Collins, Scanner, S Mark Gubb, Lindsay Seers, Patrick Ward. An exhibition of electronic media artworks examining the association of new media with supernatural phenomena. From the use of photography,
  • Expected date for completion of large scale permanent artwork commissioned for the new Norman Foster designed world headquarters of Allen and Overy, Spitalfields, City of London. (source: hosted.simonbiggs.easynet.co.uk/right/events.htm)
  • BEAP 2002: PREMISE -
    BEAP is an international event which includes a conference,symposiums, forum and exhibition presenting the theoretical, cultural and philosophical basis of Electronic Arts practice. The inaugural thematic focus for BEAP is LOCUS, the place where we
  • 3-d International video-art festival in public spaces Organizers & festival team are Invite artists working with video, animation and new media to participate in the project: Festival dates, June 5 - July 5, 2006 Festival place Moscow, Saint
  • The Magic Flute -
    On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring
  • The National Museum of Modern Art, Kyoto (MoMAK), is pleased to announce on the behalf of the National Museum of Modern Art, Tokyo (MOMAT) and the Hiroshima City Museum of Contemporary Art (Hiroshima MOCA) the upcoming exhibition, William
  • Black Box / Chambre Noire konzipierte William Kentridge speziell für die Reihe der Auftragsarbeiten des Deutsche Guggenheim und wählte daher inhaltlich bewusst Deutschland, das Land des Auftraggebers, als Ausgangspunkt der Arbeit. Kentridge, der