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DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001)
2001
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2001
Event: DESLOCAMENTOS DO EU: O AUTO-RETRATO DIGITAL E PRÉ-DIGITAL NA ARTE BRASILEIRA (1976-2001)Institution: Itaú Cultural InstituteComment:
Eduardo Kac: Living Works
2011
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2011
Collaboration: Parco Arte Vivente, Centro d'Arte Contemporanea and Castello di Rivoli, Torino, Italy
Emoção Artficial II”
2004
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2004
Event: Emoção Artficial II”Institution: Itaú Cultural InstituteComment:
2020 “ART WOMEN International Exhibition”, PPLG, Italy
2020
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2020
2020 “ART WOMEN International Exhibition”, PPLG, Italy
Knotenpunkte. Eine Ausstellung mit sieben KünstlerInnen an sieben Orten in Nordrhein-Westfalen (Nodes. Seven artists at seven different exhibition sites in north rhine-westphalia)
2007
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2007
Seven artists and seven museums – they constituted the nodes of the homonymous exhibition which was shown in North Rhine-Westphalia (NRW) from September 16th to November 11th 2007. The project, initiated by the registry of culture of NRW, Gütersloh,
2017 ” GZ-Venice” Parallel Exhibition of Venice Biennale, Venice, Italy
2017
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2017
2017 ” GZ-Venice” Parallel Exhibition of Venice Biennale, Venice, Italy
Luz na Arte Brasileira
2001
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2001
Event: Luz na Arte BrasileiraInstitution: Itau CulturalComment:
Genesis
2000
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2000
Event: GenesisInstitution: Itaú Cultural InstituteComment:
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts
2015
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2015
“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
House of Impressions. Classics and Contemporary of Media Art
2016
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2016
2016 Pushkin Museum House of Impression exhibition (26.05.2016 – 30.09.2016) Curator: Olga Shishko & Elena Rumyantseva Featuring: Chantal Akerman (Belgium-France), Tatiana Akhmetgalieva (Russia), Mona Hatoum (USA), Marianne Heske (Norway), Nan
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