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  • VIDA 9.0
    VIDA Art and Artificial Life International Awards
  • VIDA 10.0
    VIDA Art and Artificial Life International Award
  • VIDA 11.0
    VIDA Art and Artificial Life International Awards
  • EMAF 1998 addressed the structures of a mediatised society shaped by the simultaneousness of different systems. In everyday life, too, we are surrounded by perception situations taking place in parallel, explained the American Pat O’Neill, to whom
  • This year, EMAF’s congress – under the motto "European Digital Visions" – focused on the cultural self-image of our mediatised society including the i2tv live Demonstrator session with six on-line participants, on-site audience and the on-site
  • EMAF 2001 offered an examination of the present, increasingly dominated by information and media technologies that varied between play and reflexion. During the festival both the virtually endless possibilities of new aesthetic styles of composition
  • Virtual actor or: how real is reality? The congress at EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human beings act in virtual environments. This topic was reflected also in some
  • VIDA 12.0
    VIDA Art and Artificial Life International Awards
  • VIDA 13.0
    VIDA Art and Artificial Life Awards
  • VIDA 13.2
    VIDA Art and Artificial Life International Awards