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DECONversation
2003
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2003
Event: DECONversation Institution: DECONISM GalleryComment:
Des Grandes Questions à la Décharge
2008
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2008
Event: Des Grandes Questions à la DéchargeInstitution: Galerie des Beaux ArtsComment:
VideoFest '92
1992
Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer
Simon Biggs
1997
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1997
As contemporary art practice moves ceaselessly into the vast and infinitely complex field of video and computer technology, the McDougall Art Annex takes pleasure in presenting the work of a leading artist in this area, British-based Simon Biggs.
VideoFest '95
1995
1995 VideoFest saw beyond the end of ist own nose and explored in detail what the new maigc word Multimedia stands for in the realm of CD-ROM and Internet artworks. There were performances, discussions, an exhibition and workshops.
DEAF 2007: Interact or Die!
2007
Event: DEAF 2007: Interact or Die!Institution: V2_Lab for the Unstable MediaComment:
DEAF 12: The Power of Things
2012
Event: DEAF 12: The Power of ThingsInstitution: V2_Lab for the Unstable MediaComment:
Run Silent Run Deep
2008
Event: Run Silent Run DeepInstitution: National Museum of SingaporeComment:
Principia Exhibition
2011
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2011
Event: Principia ExhibitionInstitution: Milano Design WeekComment:
CTRL [SPACE]
2001
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2002
Rhetorics of Surveillance from Bentham to Big Brother In 1785, the British philosopher Jeremy Bentham (1748-1832), founder of the doctrine of Utilitarianism, began working on a plan for a model prison called the panopticon. The signature feature of
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