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Eduardo Kac - Ornitorrinco in Eden
1994
Event: Eduardo Kac - Ornitorrinco in EdenInstitution: Tuska Center for Contemporary Art Universty of Kentucky Department of ArtComment:
BEAP 2002: PREMISE
2002
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2002
BEAP is an international event which includes a conference,symposiums, forum and exhibition presenting the theoretical, cultural and philosophical basis of Electronic Arts practice. The inaugural thematic focus for BEAP is LOCUS, the place where we
3-d International video-art festival in public spaces
2006
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2006
3-d International video-art festival in public spaces Organizers & festival team are Invite artists working with video, animation and new media to participate in the project: Festival dates, June 5 - July 5, 2006 Festival place Moscow, Saint
It might never happen, curated by Christian Debize, opening program of the Centre Pompidou Metz, Metz, France
2010
Event: It might never happen, curated by Christian Debize, opening program of the Centre Pompidou Metz, Metz, FranceInstitution: Centre Georges PompidouComment:
Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker
2007
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2007
Event: Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker Institution: Netherlands Media Art Institute NIMKComment:
Future Cinema
2002
FUTURE CINEMA The Cinematic Imaginary after Film Curated by Jeffrey Shaw and Peter Weibel 16 November 2002 - 30 March 2003 ZKM Karlsruhe | atria 8 & 9, Media Theater [Admission :: EUR 5,10/3,10] Press conference : 14. November, 11am,
Simon Biggs
1997
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1997
As contemporary art practice moves ceaselessly into the vast and infinitely complex field of video and computer technology, the McDougall Art Annex takes pleasure in presenting the work of a leading artist in this area, British-based Simon Biggs.
DECONversation
2003
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2003
Event: DECONversation Institution: DECONISM GalleryComment:
Des Grandes Questions à la Décharge
2008
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2008
Event: Des Grandes Questions à la DéchargeInstitution: Galerie des Beaux ArtsComment:
VideoFest '92
1992
Also with the VideoFest ‘92, the MedienOperative claimed to reflect the development of international video culture and to represent a rich variety of genres – productions, sculptures, or selections from fields like interactive media and computer
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