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Since 1973, video contributions have taken an essential part in the International Forum of New Cinema at the International Film Festival. 1988, the MedienOperative showed its own programme under the name VideoFilmFest – usually it has only been the

... world” of the highly technical mass societies with all their computers, nuclear power stations, destroyed landscapes and lonely...

1995 VideoFest saw beyond the end of ist own nose and explored in detail what the new maigc word Multimedia stands for in the realm of CD-ROM and Internet artworks. There were performances, discussions, an exhibition and workshops.

...: DEAF 2007: Interact or Die!Institution: V2_Lab for the Unstable MediaComment:

... DEAF 12: The Power of ThingsInstitution: V2_Lab for the Unstable MediaComment:

...Event: WRO 89Institution: WRO Center for Media ArtComment:

...1991 – the character of the programme has become more angular than before; there are more works that irritate in form and content, more...

VideoFest `93 had more to offer than ever before. On the one hand we offered a core programme of the usual high quality. On the other hand we can now boast greater space for all activities – the programme, installations, market, conferences, special

... and takes that, critically speaking, went against the grain of commercial media.

Technological advances were growing at an exponential rate, and electronic art had started to invariably succumb to the digital. To deal with these developments, the VideoFest had restructured itself: video, television and multimedia were now given