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Seven artists and seven museums – they constituted the nodes of the homonymous exhibition which was shown in North Rhine-Westphalia (NRW) from September 16th to November 11th 2007. The project, initiated by the registry of culture of NRW, Gütersloh,

Event: Sommerer, Christa, Mignonneau, Laurent, Lecture at the Santa Fe Institute, Santa Fe, USAInstitution: Santa Fe Institute (SFI)Comment:

Curator: José Ramón Pérez Ornia; Artists: Marina Abramovic, Chantal Akerman, Max Almy, Julián Álvarez, Richard Angers, Ida Applebroog & Beth B, Eugènia Balcells, Irit Batsry, Robert Breer, Brothers Qualy (Stephen y Timothy Quay), Carl Browm, Robert

Curators: Montxo Algora y José Luis de Vicente. Artists: Antoni Abad, Amorphic Robot Works, Ángel Borrego, David Byrne, Daniel Canogar, Vuk Cósic, Harun Farocki, Paul Friedlander, Mark Hansen, David Hason, Pierre Huyghe, Theo Jansen, Natalie

Processes gathered a compendium of works that used the new Tools and technological media of the moment showing new ways to create, capture, process, transmit and store informational content. In this Exhibition is evidenced the disappearance of the

Event: Mignonneau, Laurent, Lecture about Eau de Jardin - Interactive Artwork at Art Rock 05 Pavillion Numerique, Saint-Brieuc (France) 02.06.2005Institution: Art RockComment:

Event: Sommerer, Christa, "Emotionale Kleidung - aus der Wunderkiste praesentiert", Video presentation together with Sabine Seymour and Marga Persson at Design-Tagung 06, Ars Electronica Center, Linz (Austria), 09.09.2006Institution: Ars

Event: CODE_n exhibitionCurated by Peter Weibel with Giulia Bini Sabiha Keyif, Daria Mille, and Philipp ZieglerInstitution: ZKM - Center for Art and MediaComment:

Event: Sommerer, Christa, Mignonneau, Laurent, "Interactive Artworks by Sommerer and Mignonneau", Lecture at Museo Nacional de Bellas Artes, Santiago de Chile (Chile), 08.09.2010Institution: Museo Nacional de Bellas Artes Santiago de ChileComment:

Tesserae of Venus imagines a strange future through dynamic photomontages of energy-producing landscapes and related drawings. McPhee borrows from the tectonics of Venus-tesserae, or ‘complex ridged folds,’ in order to structure her images of