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21st International Symposium on Electronic Art, august 14th - 19th, 2015. ISEA2015’s theme of DISRUPTION invites a conversation about the aesthetics of change, renewal, and game-changing paradigms. We look to raw bursts of energy, reconciliation,

Under the theme of "Revelation", ISEA2000 explored the effects of the technological revolution on art and its impact on society through new forms of representation such as digital imaging, multimedia, the virtuality, interactive installations and

2011 Hans Arp Museum "BIOMORPH!" (27th May - 22nd January 2012) Hans Arp, Angelika Arendt -Jackie Brookner, Bonnie Collura, Tony Cragg, Jachym Fleig, Julie Hayward, Bodo Korsig, Gerhard Mantz, Maix Mayer, Laurent Mignonneau & Christa Sommerer,

Curators: Olga Shishko and Elena Rumyantseva Participating artists: Tanya Akhmetgalieva (Russia) The Blue Soup (Russia) Alexandra Dementieva (Russia/Belgium) George Drivas (Greece) Omer Fast (Israel) William Hooker and Phill Niblock (USA) JODI

Morehshin Allahyari & Daniel Rourke, Banz & Bowinkel, Malte Bartsch, Mariechen Danz, Angela Fette, Hans Haacke, Konsortium (Lars Breuer, Sebastian Freytag, Guido Münch), Reiner Maria Matysik, Theresa Schubert, Anja Schwörer kuratiert von Ursula

Exhibition dates: June 23, 2012 through February 24, 2013. Peter Weibel inaugurated the exhibition "Inter-Facing the Archive" by Fleischmann and Strauss at the ZKM Center for Art and Media Technology in Karlsruhe with the words: "Netzspannung.org

We are always in partnership with someone or something. The issue is what we are explicit about; who, what we collaborate with. For more than 25 years Patrick Lichty has created work about mediation, networked society, and how that process of

Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on

The human-technology relationship opens up a new environment linked to the effects of technologies on our lives and causes an anthropological revolution through the presence of interactive systems that modify our perception of the world. In the last

Inspired by forms of animism, herbalism, panpsychism, and the care of sustenance networks, Badani’s 3D animations explore the intersectionality of the climate crisis and the COVID-19 pandemic. In 2019, a bio-based symbiotic interaction unfolded in