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William Kentridge: Black Box / Chambre Noire
2005
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2006
Black Box / Chambre Noire konzipierte William Kentridge speziell für die Reihe der Auftragsarbeiten des Deutsche Guggenheim und wählte daher inhaltlich bewusst Deutschland, das Land des Auftraggebers, als Ausgangspunkt der Arbeit. Kentridge, der
William Kentridge
2001
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2001
Though William Kentridge is one of the most compelling interdisciplinary artists of our time, five years ago he was largely unknown outside of Johannesburg, South Africa, where he was born in 1955 and continues to live today. There were many reasons
Beirut and Media Art today
2008
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2008
The artist and lecturer at the Académie Libanaise des Beaux-Arts in Beirut, Ricardo Mbarkho, presented the Media Art scene in Lebanon, in which artists reflect the identity crisis in the context of their sociopolitical and geographic environment.
Beirut and Media Art today
2008
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2008
The artist and lecturer at the Académie Libanaise des Beaux-Arts in Beirut, Ricardo Mbarkho, presented the Media Art scene in Lebanon, in which artists reflect the identity crisis in the context of their sociopolitical and geographic environment.
IAMAS Artist In Residence Exhibition 2004-2005
2005
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2005
The Artist in Residence program is one of the programs started at IAMAS since establishment. Each year IAMAS invites outstanding artists from overseas to Japan, and supports their activities while on the program. There have been 16 artists who have
Kwangju Biennale 2004
2004
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2004
"The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
Eduardo Kac Weisman Art Museum
2009
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2009
April 17 to June 21, 2009 at the Weisman Art Museum [1], in Minneapolis, "Natural History of the Enigma" Press Release: https://wam.umn.edu/wp-content/uploads/2016/10/Kac_Press_Release.pdf
Persistance of Vision - FACT
Persistance of Vision - FACT (Foundation for Art and Creative Technology), Liverpool (England)
Medi@terra 2000
2000
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2000
Neo[techno]logisms The neologism NEOTECHNOLOGISM, for Medi@terra 2000, is a starting-point for a series of activities which aspire to escape from the meanings which define them, in search for a new identity. This is not a festival (ceci n'est
Blue Stage
2001
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2001
Sound, film, music, photography and images, text: the Blue Stage interactive installation presents an innovative model for the multimedia representation of cultural themes. Here, new kinds of interaction of between man and networked knowledge are
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