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The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."

Event: The Puppet ShowInstitution: The Frye Art MuseumComment:

Event: In Praise of ShadowsInstitution: London Design WeekComment:

Event: DystopiaInstitution: Museum AfricaComment:

Event: Medals of DishonourInstitution: British MuseumComment:

Event: Sydney Biennale: Revolutions: Forms that TurnInstitution: Sydney BiennaleComment:

Event: Turn and Widen: The 5th Seoul International Media Art Biennale (Media-City Seoul 2008)Institution: Seoul International Media Art BiennaleComment:

Event: Zona Franca – Free ZoneInstitution: Fundação Bienal do MercosulComment:

ncisively political and profoundly poetic, William Kentridge's protean artistic investigation continues in his beautiful series of tapestries begun in 2001. The tapestries stem from a series of drawings in which he conjured shadowy figures from

William Kentridge' featured Shadow Quartet - four free-standing bronze sculptures by this distinguished South African artist with a significant international profile, commissioned by the AGWA and funded through the Foundation, the Friends and a