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DEAF 96: Digital Territories
1996
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1996
Event: DEAF 96: Digital TerritoriesInstitution: V2_Lab for the Unstable MediaComment:
Electronic Imagination
1990
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1990
Event: Electronic ImaginationInstitution: Museo della CattedraleComment:
DEAF 94: Digital Nature
1994
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1994
Event: DEAF 94: Digital NatureInstitution: V2_Lab for the Unstable MediaComment:
Earthly Delights / Deep Gardening
2001
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2001
Event: Earthly Delights / Deep GardeningInstitution: Walter Phillips GalleryComment:
Toshio Iwai - Composition on the Table
1999
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1999
Event: Toshio Iwai - Composition on the TableInstitution: KAH Kunst- und Ausstellungshalle der Bundesrepublik DeutschlandComment:
RoboFest 4
1993
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1993
Event: RoboFest 4Institution: KAH Kunst- und Ausstellungshalle der Bundesrepublik DeutschlandComment:
Whitney Biennial 2002 Net Art Selection
2002
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2002
The selection of Internet-based art for the 2002 Biennial strives to give an impression of the variety of forms that net art can take and of the multiple themes that have emerged over the years. These forms range from alternative browsers and
The anagrammatical body and his medial construction
2000
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2000
In der Kunst des 20. Jahrhunderts wurde die Kategorie des Schönen einem radikalen Wandel unterworfen. Das vertraute klassische Schönheitsideal, insbesondere der ideale schöne athletische Körper in der Nachfolge der Antike, wurden vom Diskurs der
Digital98
1998
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1998
ASCI is pleased to give these digital works a venue both online as a permanent online exhibition, and displayed in the Technology Gallery at the New York Hall of Science and then in the Brooks Design Center Gallery at Cooper Union in Manhattan.
Document B
1996
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1996
Life has a beginning, a middle and an end. Our minds and memories see time pass in a narrative stream, moving from a beginning towards a close, and this pattern informs our concepts – and our preconceptions. But can we really confirm our lives as we
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