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Whitney Biennial 2002 Net Art Selection
2002
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2002
The selection of Internet-based art for the 2002 Biennial strives to give an impression of the variety of forms that net art can take and of the multiple themes that have emerged over the years. These forms range from alternative browsers and
Digital98
1998
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1998
ASCI is pleased to give these digital works a venue both online as a permanent online exhibition, and displayed in the Technology Gallery at the New York Hall of Science and then in the Brooks Design Center Gallery at Cooper Union in Manhattan.
Take Me to the River Exhibition
2006
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2006
Event: Take Me to the River ExhibitionInstitution: The Israely Center of Digital ArtComment:
Drawing: Tradition & Innovation
2005
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2006
Event: Drawing: Tradition & InnovationInstitution: Arlington Arts CenterComment:
Document B
1996
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1996
Life has a beginning, a middle and an end. Our minds and memories see time pass in a narrative stream, moving from a beginning towards a close, and this pattern informs our concepts – and our preconceptions. But can we really confirm our lives as we
Simon Biggs and Talibor Martinis
1993
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1993
Computerinstallation, Videoprojection and Environment from Simon Biggs (GB) & Dalibor Martinis (Kroatien)
3rd Biennale d'Art Contemporain de Lyon, Interactivité...
1995
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1995
Event: 3rd Biennale d'Art Contemporain de Lyon, Interactivité...Institution: Arlington Arts CenterComment:
The anagrammatical body and his medial construction
2000
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2000
In der Kunst des 20. Jahrhunderts wurde die Kategorie des Schönen einem radikalen Wandel unterworfen. Das vertraute klassische Schönheitsideal, insbesondere der ideale schöne athletische Körper in der Nachfolge der Antike, wurden vom Diskurs der
Biennale of Sydney 2002
2002
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2002
Event: Biennale of Sydney 2002Institution: Museum of Contemporary Art, Sydney (MCA)Comment:
Ars Electronica 2006: Simplicity, Brucknerhaus
2006
Event: Ars Electronica 2006: Simplicity, BrucknerhausInstitution: Ars Electronica Linz GmbH & Co KGComment:
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