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Stanza
2008
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2008
Event: StanzaInstitution: Plymouth Arts CentreComment:
Naturalia et artificialia
2016
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2016
ECCENTRIC Art & Research is pleased to present its first exhibition in Milan, opening on October 12, 2016. The exhibition features the work of all its represented artists up-to-date: Ivana Adaime Makac, Jamie Allen, Tomislav Brajnović, Sarah Ciracì,
Digital Synesthesia at ISEA 2016 22nd International Symposium on Electronic Art
2016
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2016
In the frame of ISEA 2016 in Hong Kong the DIGITAL SYNESTHESIA exhibition presents 14 artworks by DIGITAL SYNESTHESIA artists Anke Eckardt, Karl Heinz Jeron, kondition pluriel (Martin Kusch / Marie-Claude Poulin), Alan Kwan, Karen Lancel / Hermen
Digital Synesthesia – Ausstellung und Symposium
2016
Event: Digital Synesthesia – Ausstellung und SymposiumInstitution: Angewandte Innovation Lab (AIL)Comment:
The European Media Art Festival 2015: Irony
2015
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2015
We come across irony all the time in everyday communication: in photos, caricatures, texts and conversations. Witty, critical or ironic comments are transformed into questioning works and words using the devices of under- and over-exaggeration,
Denkbilder / Mentalimages
2005
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2005
International Madia Award 2005 for Science and Art
Wand 5 e.V.: Filmwinter 97. Stuttgart
1997
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1997
Event: Wand 5 e.V.: Filmwinter 97. StuttgartInstitution: Wand 5 e.V.: Filmwinter 97. StuttgartComment:
JODI: This Page Contains…
2015
Performance by JODI. Short presentations and panel discussion with Annet Dekker, Gabriella Giannachi, and Vivian van Saaze - See more at: http://www.stedelijk.nl/en/calendar/forum/79432#sthash.s37LWTwy.dpuf
Potential Spaces. Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden?
2017
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2017
Potential Spaces Wie können Kunst & Design im 21. Jahrhundert erforscht und gelernt werden? Do, 16.02.2017 – Sa, 18.02.2017, Staatliche Hochschule für Gestaltung Karlsruhe (HfG); Großes Studio, ZKM_Kubus Beschreibung Die Konferenz »Potential
Record Again! 40 Jahre Videokunst.de. Teil 2
2012
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2012
The goal was to save video material threatened with disappearance and to rescue forgotten material. The project succeeded in retrieving a large number of videos from the 1960s and 1970s, believed lost, from artists, estates, and museum storerooms;
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