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Deep Storage. Arsenale der Erinnerung
1997
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1998
Henry Art Gallery, Seattle; Project Studios One (P.S.1), New York; Kunstmuseum Düsseldorf im Ehrenhof; Neue Nationalgalerie, Berlin; Haus der Kunst, München
Kwangju Biennale 2004
2004
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2004
"The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
Medi@terra 2000
2000
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2000
Neo[techno]logisms The neologism NEOTECHNOLOGISM, for Medi@terra 2000, is a starting-point for a series of activities which aspire to escape from the meanings which define them, in search for a new identity. This is not a festival (ceci n'est
George Legrady: Tracing
1997
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1998
Event: George Legrady: TracingInstitution: KAH Kunst- und Ausstellungshalle der Bundesrepublik DeutschlandComment:
Fourth International Symposium on Electronic Art - FISEA '93
1993
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1993
Event: Fourth International Symposium on Electronic Art - FISEA '93Institution: Minneapolis College of Art and DesignComment:
Mediale '93
1993
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1993
Event: Mediale '93Institution: DeichtorhallenComment:
Stanford Conference on Design
1991
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1991
Event: Stanford Conference on DesignInstitution: Stanford UniversityComment:
DEAF 95: Interfacing Realities
1995
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1995
Event: DEAF 95: Interfacing RealitiesInstitution: V2_Lab for the Unstable MediaComment:
DEAF 96: Digital Territories
1996
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1996
Event: DEAF 96: Digital TerritoriesInstitution: V2_Lab for the Unstable MediaComment:
Medi@terra 1999
1999
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1999
Pendulum Symposium Mediterranean and Balkan Art & Technology Festival MEDIA = The image of the world, an image elaborated according to the circumstances. The high point of 21st-century culture. The face of modern technology, the homo communicus of
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