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Forum of speakers, Arin Faye (Curator, Nelson Touchstones Museum of Art and History), Garnet Dirksen (Canadian Contemporary Photographer), Edward Bateman, (Professor, Digital Media, University of
Utah
), and Megan Arney Johnston (Founder, Slow Curation) -
2020
-
2020
... (Professor, Digital Media, University of
Utah
), and Megan Arney Johnston (Founder, Slow...
Contact Zones/The Art of the CD-Rom
2001
-
2001
Event: Contact Zones/The Art of the CD-RomInstitution: Nickle Arts Museum/ University of CalgaryComment:
Contact Zones
1999
Event: Contact ZonesInstitution: Gallery of PhotographyComment:
Contact Zones/ The Art of CD Rom
1999
-
1999
The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to
L'éthique otaku : tous seuls ensemble, la crise de contact et autres troubles des sens
1999
Event: L'éthique otaku : tous seuls ensemble, la crise de contact et autres troubles des sensInstitution: colloque OTAKU, Maison de la Culture du JaponComment:
Second Nature
2010
Who are we ? Seconde Nature 27bis rue du 11 novembre, 13100 Aix-en-Provence, France Tel : +33 (0)4 42 64 61 00 / +33 (0)4 42 64 61 01 email : contact @ secondenature.org
TIMEBASE | Time-Based Media in Contemporary Art
2015
-
2016
... | Hajnal NÉMETH | Mária RIGÓ’s traditional
filmmaking
course – HUFA Intermedia (Rita FARKAS |...
Zonas de contactoArt History in a Global Network
2022
-
2022
Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
TANGENT_FEAR: Inviting Horror
2006
TANGENT_FEAR presents the artistic research project Inviting Horror by Karen Lancel and Hermen Maat in which the experience of fear in public space is investigated. In a world in which daily activity is monitored through electronic technologies
What We See & What We Know.Thinking About History While Walking, and Thus the Drawings Began to Move…
2009
-
2009
... that he himself has called “stone-age
filmmaking
” could also be understood as a result of...
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