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Jelena Guga is a theorist of arts and new media. Her work largely focuses on the ways new media technologies have rearticulated and redefined the notions of identity and embodiment in the age of constant connection and technological augmentation –

I am PhD researcher, professor and translator based in Barcelona and specialized in Digital Cultural Communication, meaning both Digital Media Studies and Digital Art in their theoretical aspects. I have written two books on narration in Digital

Art critic and curator, essayist, journalist. She founded the website Synesthesie in 1995, the first French-speaking website on art, has carried the project for 20 years (with an online and paper review, exhibitions, a virtual art center, the

Erkki Huhtamo works as a professor at the University of California Los Angeles (UCLA), Departments of Design Media Arts, and Film, Television, and Digital Media. He received his Ph.D. in cultural history from the University of Turku, Finland.

Professor of cultural and media studies at Lodz University, Poland, where he is a Chair of School of Media and Audiovisual Culture. Professor at the Academy of Fine Arts in Łódź. 2001 – 2006: Professor of Media Art and Media Theory, Academy of

Jussi Parikka is a media theorist, writer and Professor in Technological Culture & Aesthetics at Winchester School of Art (University of Southampton). Parikka has a PhD in Cultural History from the University of Turku, Finland and in addition, he is

Robert W. Sweeny, PhD, is Professor of Art Education at Indiana University of Pennsylvania. He completed his doctoral work at Pennsylvania State University and his dissertation was titled ‘Net_Work_Ed: Simulated Bodies and Objects Intertwined in

Christiane Paul is Associate Prof. at the School of Media Studies, The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art. She has written extensively on new media arts and lectured internationally on art and

Dr Paul Thomas, is Professor of Fine Arts at, UNSW Art and Design, UNSW Sydney. Thomas initiated and is the co-chair of the Transdisciplinary Imaging Conference series since 2010. In 2000 Paul instigated and was the founding Director of the Biennale

Independent art critic and curator, researcher in contemporary art and new media. PhD in Information and Knowledge Society, Universitat Oberta de Catalunya (UOC) and Bachelor in Art History from the University of Barcelona. He has developed his