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... coincidence, order and chaos. In 2000 he makes a series of sensorial rooms for individual visitors (Nemo Observatorium, Mirror, Pericope/Horizon Machine). Later he creates larger mobile environments dealing with space and orientation often using the...

... are going to control our perception. Our work deals with the study of such relationships to create images from behind the mirrors.

... in the process of aesthetic discernment, and questions related to the intricate relationship between model and copy; and mirroring and duplication in the process of reproduction (Minimal Difference and Modern Mimesis, 2016; Duchamp and Mimesis, 2011; The...

... is the very property that makes space experiential, and therefore 'real'. Julius then might use optical elements such as mirrors and lenses, to add an-other dimension to these physical spaces. Drawing on techniques from visual arts, film, social and...

... ‘void’. It is a domain which is totally empty yet simultaneously full and brimming over with the potentiality of being. This mirrors the behavior of sub-atomic particles or wave phenomena in relation to an underlying field as described in Western physics. With...

... into the passive illumination of a nocturnal lighting system, articulated by the wind. Projects such as "Smoke and Mirrors" and "Mi Casa es tu Casa", use the contextual apparatus of museums with adjacent mission scopes to the artworld, for bringing...

... systems, dynamics, and code. The installations often employ elements such as semi-transparent scrims, tree limbs, moss, mirrors, hundreds of fluorescent light bulbs and thousands of strands of yarn. Her experimental animations are often produced in...

... the ability to change and respond to the presence of a viewer. Although computers are often used, they are seldom visible. Mirrors and the mediated perception of the self are central themes in his work. Rozin is the recipient of numerous awards, and his...