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  • ... Technology. He taught courses in the theory, practice, and art history of new media at Northwestern University (1995–2004) and at the...
  • ... The drawings used for NIESATT are acid humorous, raw-thought line-based social commentaries. They are ironic cartoon-like...
  • ... include breakthroughs in STEM and art, alongside visual history, art history and tolerance. The (art)n group primarily works...
  • ... currently serves on the SIGGRAPH Digital Arts Community and History Committee, the ISEA International Advisory Committee.
  • ... Fellow at Birkbeck College, University of London, School of History of Art, Film & Visual Media and as Visiting Research Fellow at... 2010 presenting a range of international exhibitions both online and in physical spaces with an international curatoriate. He is...
  • ... has been exhibited at the Science Museum, London, the Natural History Museum, Rotterdam, the Design Museum, Zurich, at Amnesty...
  • ... and the public sphere. I often incorporate elements of art history, architecture, text, and design into chaotic yet carefully...
  • ... compositions. Educated at Oberlin College, where he studied history and electronic music, and at the Institute of Sonology in The...
  • ... (PAPress, 2010), a non-technical introduction to the history, theory, and practice of software in the arts. Reas is the...
  • ... the hard drive, Flanagan reworks these activities to blur the line between the social uses of technology, and what these activities...