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Grahame Weinbren is a pioneer of interactive cinema. His installations have been exhibited since 1985, including the Whitney Museum, ICA (London), the Guggenheim Museum, the Bonn Kunsthalle, and the Centre Georges Pompidou. Commissions include the

Herwig Weiser is an interdisciplinary artist who work collaboratively. His long-term investigation of the relationship between electronic information and data systems, and the raw hardware that drives these technologies, draws on aesthetic,

Marcelina Wellmer graduated from the Academy of Fine Arts in Poznan/Poland in 2000 with a degree in video and drawing. She is a conceptual artist and photographer based in Berlin. As a media artist, she has been working with video, photography,

Teresa Wennberg is a painter and a multimedia artist. Beside her painting career, she started making video in 1978 at the Centre Pompidou Paris and is considered a pioneer in video art and computer art. A multidisciplinary background: law,

Neal White works across media, and in no particular medium at all – creating projects with the Office of Experiments that develop collaborative, social and critical spaces using art methods and art materials. His work operates along the fine line

Jennifer Willet is a biomedia artist and professor with a strong focus on laboratory aesthetics and participatory practices methodologies. Currently, she is Director of Incubator Lab at the University of Windsor in Canada. Her work resides at the

Maciej Wisniewski is an internationally respected digital artist and pioneer in network art. His art projects: netomat (1999), 4 Stories With a Twist (2004), 3 Seconds in the Memory the Internet (2002), Instant Places (2002), Streaming Conscience

Mari Amman (b. 1984) works globally creating afferent artworks. Images, installations, poetry, performance, sculpture, and artistic research bring forth geological empathy and parietal aspects of perception, sparking inquiry into proposed divides

I am fascinated by human/techno/plant relations in dynamic systems and networked assemblages. Working with new technology against the grain, my research takes a positive yet critical approach, framed by new materialism and posthumanism. I have

Amy M. Youngs creates biological art, interactive sculptures, and digital media works that explore interdependencies between technology, plants and animals. Her practice-based research involves entanglements with the non-human, constructing