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Peter Beyls thinks of the universe as one giant generative system revealing systemic behavior on numerous levels: from the unpredictable dynamics exposed in social structures to emergent functionality in the human brain to molecular interaction in

The medium of light transversing a space is the very property that makes space experiential, and therefore 'real'. Julius then might use optical elements such as mirrors and lenses, to add an-other dimension to these physical spaces. Drawing on

Gregory Chatonsky is an artist born in Paris in 1971. He currently resides in Montreal and Paris. He holds a philosophy master’s from the Sorbonne and a multimedia advanced degree from the Ecole nationale superieure des beaux-arts in Paris. He has

David R. Burns takes an interdisciplinary approach to creating digital media art by combining 3D computer modeling and animation, digital video, sound design, and physical computing to push the boundaries of artistic expression. His creative work

Maite Cajaraville combines her artistic career with curator commissions since 1993. She is a media and video artist and AV performer whose creations have been exhibited in festivals and events such as the Venice Biennale, Sónar Festival of Advanced

Paolo Cirio called attention with his controversial work "Hacking Monopolism Trilogy": "Face to Facebook" (co-author: Alessandro Ludovico), "Amazon Noir" (co-authors: Alessandro Ludovico, Ubermorgen) and "Google Will Eat Itself" (co-authors:

Is an artist and academic. He is currently part of the teaching team in Fine Arts at Winchester School of Art, University of Southampton, England. He was born in 1957. He studied chemistry and painting at Warren Wilson College, North Carolina, then

Caterina Davinio is an Italian computer artist, writer, and curator. Born in Foggia in 1957, she was raised in Rome and received her degree in Italian Literature at Rome University La Sapienza, where she studied with Giulio Carlo Agan, Alberto Asor

Laura Dekker’s research-based art practice considers the reciprocal roles of technologies in how we experience, make sense of, cope with, and construct ourselves and our world. She explores these ideas through interactive installations, combining

Lives and works in Brussels The idea of interaction between the viewer and an artwork, mediated by technologically progressive visualization methods, lies at the core of her work. In her installations she uses various art forms on an equal basis: