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  • Paul Vanouse is a biomedia artist based in New York. He holds a BFA from the University at Buffalo (1990) and an MFA from Carnegie Mellon University (1996). He is a Professor of Visual Studies and Co-Director of Emerging Practices at the University
  • Bill Seaman is a media artist and professor. He holds a Ph.D. from CAiiA, the Centre For Advanced Inquiry into the Interactive Arts a Master of Science in Visual Studies degree from the Massachusetts Institute of Technology (MIT), and a BFA at the
  • Waldvogel is an architect and a specialist on the senses of perception as they relate to the digital realm. Her work explores the nature of multi-sensory experiencing and expression, with a particular focus on the feelings, emotions, and thoughts
  • During the past seventeen years Czarnecki's work has centred on ways of exploring and expressing ideas generally based around the human, the physical, biological and psychological. More recently her work has been concerned with investigating the
  • The interdisciplinary artist MOON a.k.a. Martina Zelenika is visionary artist with a unique artistic expression. Artsist MOON combines the must up-to-date digital technology along with an analogue one to embody spiritual dimension of cosmology and
  • Seigo Matsuoka is Director of the Editorial Engineering Laboratory. Born in Kyoto in 1944, Matsuoka graduated from Waseda University School of Letters. He founded the publishing house Kosakusha and began publishing Object Magazine in 1971. As
  • Christophe Bruno lives and works in Paris. He began his artistic activity in September 2001. His polymorphic work (installations, performances, conceptual pieces…) has a critical take on network phenomena and globalisation in the field of language
  • Tjebbe van Tijen born in The Hague, lives and works in Hong Kong and Amsterdam. He studied sculpture in Den Bosch, Milano and London. Various happenings and expanded cinema projects in London and cities in the Netherlands 1965-1968. Founded and
  • Simon Penny is an Australian practitioner in the fields of Digital Cultural Practices, Embodied Interaction and Interactive Art. His practice has included artistic practice, technical research, theoretical writing, pedagogy and institution building.
  • Dr. Ricardo Dal Farra (Buenos Aires, 1957) is a composer and new media artist, educator, historian, and curator working in the intersection of the arts, sciences, and technology. He is a Professor at the Music Department of Concordia University,